Six reinterpretations of the Louis Vuitton Capucines bag

Liu Wei
Characterized by his provocative work in a diverse range of media, the Beijing-based artist allows the subject to define the choice of medium. Her tour of the Artycapucines is inspired by her installation at the Venice Biennale 2019, Microworld. The sculpture’s aluminum petals are reinterpreted with five types of silver-colored leather, meticulously thermoformed into the exact shapes and angles of the bag. Three of these petals are fixed with Louis Vuitton engraved rivets, just like those used on the emblematic trunks of the house.

Henri taylor
It took a combination of the latest cutting edge laser printing and traditional inlay to reproduce the painting by 2017 California artist, A Young Master, on this Artycapucines on leather. The portrait of the late Noah Davis, the black American artist and founder of the LA Underground Museum, aptly sums up Taylor’s esteemed visual representations of his community. To precisely match the bag’s varied colors and textures to the original artwork, Louis Vuitton went out of its way, employing over 100 experiments to test different 2D and 3D printing methods.

Zhao Zhao
Born in Shihezi, in China’s Xinjiang Uyghur Autonomous Region, the Chinese artist based his Artycapuchins on his 2018 sculpture, In Extremis No. 3. She was part of a bloody-inspired series – the remains of a cat run over on an asphalt road in Beijing in 2015. The 353 laser-cut patches shown here are made from five types of hand and machine embroidered leather, printed with seven different patterns or embossed. They represent the bonding of metal components of the sculpture and are meticulously assembled by the craftsmen of Louis Vuitton on a single panel following Zhao’s precise layout.

Jean-Michel Othoniel
Evoking his sculpture Le Kiosque des Noctambules which adorns the entrance to the metro at the Palais Royal in Paris, the French artist’s shot punctuates a laid-back Artycapucines near Saint-Tropez with his famous pearls. Here, large resin bags form the striking handle and charm of the bag, which is hand-woven from raffia in a way that highlights the knots that tie the strands together. They are not treated to emphasize the natural and delicate range of tones. The bag is also trimmed with hand-embroidered black silk satin usually used in haute couture.

Josh smith
An engraver by training, the Japanese-born and New York-based artist made a name for himself in the early 2000s with a visual and philosophical exploration of his own name, revisited here on an entirely leatherless Artycapucines. First, white colored dots – 320,000 on the front and back and 50,000 on the flap – are embroidered on the outside of the cotton canvas depending on the direction of the brushstrokes to create depth. Then, a sublimation process prints the colors – heated for deeper penetration – onto the fabric and stitches, before the letters are embroidered with 36,000 satin stitches on the front, 40,000 on the back and 15,000 on the back. Rabat.

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